The Prince and the Showgirl (1957) Full Movie Download

 The Prince and the Showgirl (1957)
An American showgirl becomes entangled in political intrigue when the prince regent of a foreign country attempts to seduce her.

Director:

Laurence Olivier

Writers:

Terence Rattigan (by), Terence Rattigan (screenplay),

Stars:

Marilyn Monroe, Laurence Olivier, Richard Wattis | 





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Storyline

When Grandduke Charles, the prince-regent of Carpathia, a fictitious Balkan country which could start a European war by switching alliances, visits London for the coronation of the new British King in 1911, and spends his one evening off at the Coconut Girl Club, the reputed stickler for protocol is so charmed by a clumsy American understudy that he orders his British attaché to invite her to the embassy for a private supper. Being overlooked and understanding German, she learns of the repressive attitude of the regent and the plans of his reformist, pro-German minor son, King Nicholas, to take over power by surprise, but doesn't dodge and tries to reconcile father and son. The queen-dowager decides to make her lady-in-waiting for the coronation day, so she stays in the picture to everyone else's surprise. Written by KGF Vissers


User Reviews

The Coronation Scene
10 September 2004 | by (TCM's Basement) 
This is an odd, quirky movie that I can't say I really enjoy. Like many of Marilyn's movies, they come off being unbalanced, but this is the first, and only movie made by her own production company. There are some good parts, and there are even more boring, and "Plug in the coffee pot to keep me awake" moments.

Still, if it's on TV, I'll tune in for one scene only. The coronation scene, which has no dialog, concentrates almost solely on Marilyn's emotions while she watches history being made. Through her, we are drawn through the scene, and at least I, experience a full range of emotions to almost being on the brink of tears at how beautiful this scene is. With a close up of her face, she fades away and a glorious circular stained glass window appears, then to another stained glass window of cliffs that transforms and becomes real, long enough to hear the sound of a ship's horn in the distance, to the "violence, violence, violence!" chant and the thundering canon which brings this wonderful scene to its conclusion.

That scene alone, with a few other glorious shots of Monroe make this movie worth watching.

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